directed by Carmelo Bene, 1972, 80 min
Salomè is a forceful depiction of the possibility that the cinematographic vision may have run its course. With its editing verging on the subliminal and its use of refracting adhesive material, this film, which so appealed to De Chiric, his defender along with Turcato, Arbasino and Flaiano during the disorders that it stirred up at the Venice Film Festival, is a wager "on the colour light".

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Sala Cinema

Admssion via steps in via Milano 9A